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Hans Rosbaud conducts W.A. Mozart

Concertos • Serenades

Year recorded

1951-1962

Year published

2018

Composer

Wolfgang Amadeus Mozart

Artists

Südwestfunk-Orchester Baden-Baden

Hans Rosbaud

Maria Bergmann

Géza Anda

Friedrich Gulda

Monique Haas

Robert Casadesus

Dennis Brain

Domenico Ceccarossi

Helmut Müller

Horst Schneider

Ernst Bodensohn

Annemarie Schmeißer

Ludwig Bus

Ulrich Koch

 

Tracks

CD 1 Wolfgang Amadeus Mozart: Piano Concerto No. 9 E flat major K 271 for Piano and Orchestra (Jeunehomme)

CD 1 Wolfgang Amadeus Mozart: KlavierConcerto No. 17 G major K 453

CD 2 Wolfgang Amadeus Mozart: KlavierConcerto No. 14 E flat major K 449

CD 2 Wolfgang Amadeus Mozart: Concerto No. 21 C major K 467 for Piano and Orchestra

CD 2 Wolfgang Amadeus Mozart: Piano Concerto No. 23 A major K 488 for Piano and Orchestra

CD 3 Wolfgang Amadeus Mozart: Piano Concerto No. 23 A major K 488 for Piano and Orchestra

CD 3 Wolfgang Amadeus Mozart: Horn Concerto No. 2 E flat major K 417

CD 3 Wolfgang Amadeus Mozart: Horn Concerto No. 3 E flat major K 447

CD 3 Wolfgang Amadeus Mozart: Horn Concerto No. 2 E flat major K 417

CD 4 Wolfgang Amadeus Mozart: FagottConcerto B flat major K 186e K 191

CD 4 Wolfgang Amadeus Mozart: Concerto C major K 314a for Oboe and Orchestra

CD 4 Wolfgang Amadeus Mozart: Concerto major K 299 for Flute, Harp and Orchestra

CD 5 Wolfgang Amadeus Mozart: Sinfonia concertante E flat major K 364 for Violin, Viola and Orchestra

CD 5 Wolfgang Amadeus Mozart: Symphony No. 31 D major K 297 (Paris)

CD 5 Wolfgang Amadeus Mozart: Symphony No. 36 C major K 425 (Linz)

CD 6 Wolfgang Amadeus Mozart: Symphony No. 38 D major K 504 (Prague)

CD 6 Wolfgang Amadeus Mozart: Symphony No. 40 g minor K 550

CD 6 Wolfgang Amadeus Mozart: Symphony No. 40 g minor K 550

CD 7 Wolfgang Amadeus Mozart: Notturno K 286 for vier Orchester

CD 7 Wolfgang Amadeus Mozart: Serenade No. 13 G major K 525 (Eine kleine Nachtmusik)

CD 7 Wolfgang Amadeus Mozart: Serenade No. 11 E flat major K 375

CD 8 Wolfgang Amadeus Mozart: Serenade No. 10 B flat major K 361 K 370a (Gran Partita)

CD 9 Wolfgang Amadeus Mozart/Ferruccio Busoni: Ouvertüre zu 'Die Zauberflöte' K 620

CD 9 Wolfgang Amadeus Mozart: Der Schauspieldirektor K 486

CD 9 Wolfgang Amadeus Mozart: Ch'io mi scordi di te - Non temer, amato bene K 505

CD 9 Wolfgang Amadeus Mozart: Se al labbro mio con credi - Il cor dolente K 295

CD 9 Wolfgang Amadeus Mozart: Or che il dover - Tali e contanti sono K 36

CD 9 Wolfgang Amadeus Mozart: Va, dal furor portata K 21

CD 9 Wolfgang Amadeus Mozart: Con ossequio, con rispetto K 210

CD 9 Wolfgang Amadeus Mozart: Per questa bella mano K 612

CD 9 Wolfgang Amadeus Mozart: Mentre ti lascio, o figlia K 513 (1787)

A new box set of Hans Rosbaud’s SWR recordings that features works by Mozart, and follows on from a previous release of Rosbaud's performances of Haydn, Wagner, Weber / Mendelssohn, Bruckner and Tchaikovsky. Yet again, Hans Rosbaud proves himself one of the great conductors of the 20th century. Features famous soloists such as Friedrich Gulda, Robert Casadesus, Monique Haas and Dennis Brain. Most of the recordings have never been previously released.

During his time in Baden-Baden, Hans Rosbaud conducted a representative selection of Mozart's solo concertos (principally those for piano), symphonies, serenades and, fortunately for us, the composer's rarely recorded concert arias. He was able to present Mozart’s immediately charming melodies with a judicious amount of shaping, particularly pleasing in Kleine Nachtmusik. As in his other recordings of classicalromantic repertoire, Rosbaud excels at highlighting a work's structural characteristics. Equally notable is his careful handling of the wind parts: he draws attention to Mozart’s distinctive orchestral scoring and presents interaction between the orchestral families as a dialogue on stage. This is especially true for the solo concertos in which the role of the orchestra is never reduced to one of mere accompaniment. Rosbaud also highlights this characteristic in the symphonies and serenades, no doubt hoping that future interpretations would take their lead from this practice.

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